Tuesday, February 03, 2009

50 years since Buddy Holly’s death

Born 7 September 1936
Died 3 February 1959.
22 forever.


"That Makes It Tough"

Memories will follow me forever
Though I know my dreams cannot come true.
All those precious things we shared together.
Time goes by, I’ll still remember you.

And that makes it tough, oh so tough,
When you tell me you don’t love me.
That makes it tough, oh so tough,
When you say you don’t care for me no more.

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Sunday, February 03, 2008

Sunday stuff

1. So, Punxsutawney Phil saw his shadow yesterday: six more weeks of winter, folks...

2. Also yesterday, it was 29 years since Sid Vicious died. That crazy fool.

3. Also yesterday, it was mine and the missus's ten-and-a-half-year-iversary.

4. Today, 49 years since Buddy Holly died. Next year will be the big one.

5. Tomorrow, I start my backpiece tattoo. Three-hour appointment. Estimated 25 hours' work in all.

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Thursday, February 08, 2007

I love these “other buyers” things...


You know, when you look and see what other purchases people have made based on one particular purchase? The idea is, I guess, that it inspires people to make other "similar" purchases.

Well, check out the "recommendations" arising from this Buddy Holly CD on play.com

I'll tell you something now: I think only one person has ordered this CD, and that's me. Why? Because I have also made all those other exact purchases from the same retailer. How weird is that?!

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Saturday, February 03, 2007

Buddy Holly: * 7 Sep 1936 † 3 Feb 1959


A long, long time ago,
I can still remember how that music used to make me smile.
And I knew if I had my chance
that I could make those people dance,
and maybe they'd be happy for a while.

But February made me shiver
with every paper I'd deliver:
bad news on the doorstep;
I couldn't take one more step.

I can't remember if I cried
when I read about his widowed bride.
Something touched me deep inside,
the day the music died.

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Sunday, October 29, 2006

More copyright chaos

According to the BBC News website, a report is being published today urging the government not to succumb to pressure from the music industry to extend copyright in music.

In part, some of the recommended changes are to protect the consumer's right to copy music that they have already purchased for use on their computer, mp3 player, etc, but clearly there is a feeling that the laws are out of date, and the music biz wants copyright terms extended, rather than reduced or staying the same.

The copyright currently stands at 50 years in the UK. Now, you can call me cynical if you like, but do you think it's any coincidence that we are fast approaching 50 years from the time of landmark recordings being made? Additionally, some copyright terms expire 50 years after an artist's death (in the US, for example), meaning we are fast approaching the end of copyright on some of rock 'n' roll's early casualties, such as Buddy Holly. Heaven forbid that the music industry should start losing some of their cash cows.

Indeed, in the case of Buddy Holly, it will be Paul McCartney who stands to gain from an extension in terms, since he owns Holly's catalogue of songs. Yeah, he really needs the money, doesn't he?! This is as good a reason as any NOT to extend the length of copyright: the last thing we want is money from Buddy Holly's music going to Macca's bullshitting one-legged ex-wife.

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Wednesday, October 11, 2006

The cult of the ever-youthful dead pop star

One of my earliest childhood memories -- and certainly my first real brush with popular culture -- is the death of Elvis. Of course, I knew not who he was really, although I do recall telling my mum that her boyfriend was dead. Seems I was wrong, though, and it was Alvin Stardust who she had a thing for.

Regardless, the notion of dead pop star as icon and cult was born, for me, there and then, and I lapped up Elvis's music via my dad's record collection. Sadly, my brother and I probably ruined many highly collectable discs in the process.

Other dead icons preceded Elvis of course: Jim Morrison, Janis Joplin, and Jimi Hendrix to name but a few. I have nothing much to add. I despise The Doors and Morrison. Joplin, whatever. Hendrix, yeah he's all right...

A couple of years later I discovered Buddy Holly. This one had been in his grave a while longer, of course. But so devoted was I, that I soon acquired everything I could. The great thing about picking up on a dead artist was that the output was finite. (Or so it seemed in those days.)

It wasn't long before I turned to punk and the Sex Pistols. Oh, look, one of them's dead. I'm sensing a disturbing pattern here... Although it goes without saying that, as this list progresses, Sid Vicious will be seen as the odd one out, being as he was an untalented loser and all.

The 1980s passed without a real notable pop-star death for me, with the exception early on in that decade of John Lennon, and so we move on to the '90s.

In 1991, the Manic Street Preachers landed in my lap with a bang. It felt good to get in at ground level with a new band. Good look, good music (although I thought my band was better at first).

And then came Nirvana. And within a couple of years here was my first first-hand taste of rock martyr, suicide, or whatever you want to call it. Here was an artist who had meant something to me while he was alive, only to have him do himself in. I was used to having dead heroes, but this was my first dead hero that I knew when he was alive.

And then, about a year after Cobain's death, Richey Edwards of the Manic Street Preachers disappears. He'd been clinically depressed for ages. Is he dead? We still don't know. Officially, though, he is, as a result of being missing for so long -- 11 years and counting. So he's kind of my own second dead idol.

I guess Tupac doesn't really count, since my interest in his music really began with his death in 1996. Going to back to my roots, picking up the pieces after the fact. Despite my voracious appetite for his material, the supply soon outstripped my demand, and I had to stop buying his records once it became clear that substandard work was being released. Shame to do that to his memory.

And then, most recently, Elliott Smith, just a few short years ago, who took his own life with several knife wounds to the chest. Umm, yeah, that sounds feasible. He was more Wife's guy than mine, but we did see him perform live and he was undoubtedly a major talent, desperately underapprecieted in his US homeland.

Invariably these deaths all occurred at a young age, too. Of those cited, Elvis made it to 42 -- hardly a ripe old age; Elliott got to 34. Nobody else even made it to 30. Live fast, die young, leave a good-lookin' corpse.

Where does all that leave us?

Beyond a doubt, I am, on a certain level, a victim of the cult of the dead pop star. A performer's passing makes me want to at least check out their oeuvre and see what all the fuss is about.

But it's also true, as evidenced above, that I am drawn to the music of these lost, suicidal souls way before they go the way of all things.

What does that mean?

Is it inevitable that those artists -- poets, performers, men of the people, who put themsleves out there, stripped bare for all to see -- are ultimately doomed to an early grave? Is too much passion a short cut to the hereafter? And is there any truth in my belief that the first of these tortured storytellers -- indeed, the reason for our obsession with the dead pop star -- was Jesus Christ himself?

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Thursday, September 07, 2006

“Rock ’n’ Roll” – a song

Here's another song I recorded back in 1990, at the same session as Kids' Night. This one's called Rock 'n' Roll (click the name to listen), and today I dedicate it to Buddy Holly.

Unfortunately, over the years the original master tape (reel to reel) has deteriorated, and there is a wee bit of squeaky shit here and there (no, I don't mean my voice!). I'll try to get it fixed one day -- y'know, for posterity -- but in the meantime this is the best I've got.

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Happy 70th birthday, Buddy Holly


It's odd, isn't it, that someone who died so long ago, way back in 1959, would only be celebrating his 70th birthday today had he lived?

The man is rightly a legend. His influence on the development of songwriting as an artform was huge -- arguably unparalleled.

Take the time to think of your favourite Buddy Holly track today. Hell, put on one of his records. My favourite is probably "That Makes It Tough". Here are the lyrics:

Memories will follow me forever
Though I know my dreams cannot come true.
All those precious things we shared together.
Time goes by, I’ll still remember you.

And that makes it tough, oh so tough,
When you tell me you don’t love me.
That makes it tough, oh so tough,
When you say you don’t care for me no more.

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Saturday, April 01, 2006

Terrible music. And Buddy Holly.

So, as is our semi-usual routine, Wife and I watched American Idol last night. And the music was worse than ever. The show’s “theme” this week was “the 21st century”, so the cuntestants had to choose songs that had been released in the past six years. Well, what a shower of shit. I kid you not, there was not one song that I had ever heard before in my life – not one; Wife fared slightly better (if you can call it better), saying she had heard one of them before. And in addition to that, I think I had only heard of one of the acts that had originally recorded these songs, Creed. [In fact, Wife has just reminded me, a couple of days after I originally posted this, that there were also songs by Beyoncé and Christina Aguilera. Of course, I am familiar with these gals, but not with the particular tracks performed on the show. My bad.]

Now, I fail to see how it is possible that these people have not heard better songs released in the past six years. And if Kellie Pickler really thinks “Suds in the Bathtub”, or whatever it’s called, is so great, then I feel terribly, terribly sorry for her.

The thing is, I hold my hand up here, I’m hung up on the ’80s, man. That is, most of the music I listen to now is stuff I was listening to during my formative years. And most of the new music I discover is actually via Wife. It was she who introduced me to Elliott Smith and Bright Eyes – probably two of the greatest singer/songwriters to emerge in the last 20 years, American or otherwise. (And I don’t mean singer/songwriters in the bastardized sense of James Blunt, KT Tunstall, Jason Mraz, and Katie Melua, all of whom seem to think that playing a guitar means you can write something of substance. Wankers.) Both Smith and Bright Eyes have released albums full of incredible songs in the past six years. Where is the music of this calibre of artist on Idol? Their music is adaptable, too, as is any great song: it is not restrained by its musical style because it is not entirely about the music, it’s about the words. Remember when music had words that meant something?

And yet, these poor kids on Idol, like much of America, probably don’t know these artists even exist(ed). These are the sorts of artist that are undoubtedly bigger outside of their own home country.

Of course, it goes without saying, in that Groucho Marx way, they’re too good for Idol anyway.

As a post script to this post, how can it be that on the “Fifties”-themed show last week, the two worst performances of the evening were the two Buddy Holly songs? I mean, they really butchered his tracks, “Not Fade Away” and “Oh Boy!” And yet here is an American rock ’n’ roll legend. Ah, I see a pattern emerging: Buddy Holly, too, was totally unappreciated in the United States during his lifetime – indeed, until the mid-1970s. He had been all but forgotten after his brief fling with stardom at the tail end of the ’50s. Guess they can’t see the talent under their noses in the States, and all the while they keep lining the pockets of shit-mongers like Garth Brooks, Celine Dion, Mariah Carey....

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